#STEINBERG SPECTRALAYERS PRO MANUAL#
Manual de-essing in SpectraLayers Pro has always been quick and easy. Spectral de-essing is the most precise and least invasive way to tame and shape vocal sibilants. You can automatically attenuate everything but the voice for maximum intelligibility. Perfect for cleaning up location interview recordings, the Voice Denoiser algorithm is trained to recognize and isolate the human voice. SpectraLayers Pro 7 allows you to select a target sound and then trigger a search to automatically locate and select every other similar sound in the spectrum. Significant advances in pattern recognition are a hallmark of today’s rapidly evolving AI technology. Comprehensive learning algorithms clear the path to clean extraction. Reconstruct missing noise hidden by tones and transients. Unmix stems into tone, noise and transient component layers. (SpectraLayers Elements allows extraction of vocals only.) This AI-assisted process in SpectraLayers Pro scans the finished file of a song, allowing you to “unmix” it and extract the different instruments to separate layers, with default settings for vocals, piano, bass, drums, and more. AI is changing faster than its history can be written - be at the leading edge with SpectraLayers Pro 7.
#STEINBERG SPECTRALAYERS PRO HOW TO#
In the same way that these algorithms can now accurately determine how to apply color to a black and white photograph, the AI in SpectraLayers Pro can sense discrete events in a sound field and isolate them on independent, colorful layers for processing. Just as audio engineers focus on separating increasingly fine details in sound, the new AI in SpectraLayers Pro 7 uses algorithms to learn from the data flowing through its built-in neural network. So, despite its advanced technology, SpectraLayers is immediately familiar and instantly powerful. To make this approach intuitive, SpectraLayers employs the model of high-end image editors - not just the interface, but what you can do with sound and how you do it. It extends the traditional visualization of spectral editors to every aspect of editing sounds, including how they mix together. SpectraLayers is the first completely visual editing system for audio. And all in a familiar interface that you didn’t realize you already knew. Integrate these abilities into your DAW and other tools. Visualize audio in astonishing new ways, including 3D. For the first time you can directly edit spectral data, opening advanced sonic worlds, and use innovative enhancements to traditional techniques. SpectraLayers is a new approach to audio editing, with new concepts to transform the way you work. Molding causes the frequency content of one sound to shape another for amazing vocoder-like effects you can use a vocal track to “mold” a synth track.INTRODUCING THE WORLD’S FIRST ADVANCED SPECTRAL EDITOR Something like a side chain, Casting causes the frequency content of one instrument to leave a “shadow,” a deficit of those frequencies in another instrument. A similar process is possible for removing or reducing reverb and now Casting and Molding are two brand new processes. Extraneous noises that appeared in the middle of syllables were removed without affecting the vocal sound quality. It was easy to scroll through a vocal track and deal with sibilants and other flaws.Ī vocal recorded in a closet had excessive low frequency rumble, so unlike using a high-pass filter, you can attenuate specific amounts at different frequencies of only the offensive moments. There are 25 real-time editing tools to attenuate or amplify certain frequencies as directly viewed on the display. You may separate into layers these audio components and then cut/copy/paste them into containers or into other layers. Deconstructing sound by copying portions of the audio to editable layers has completely blown open creative sound design. With SpectraLayers Pro 6 you may edit and modify recorded audio by viewing the time, amplitude, and frequency components of sound-a three-dimensional view of sound for editing that was heretofore impossible. It also operates as a standalone application and integrates very tightly into existing Cubase, Nuendo, HALion or WaveLab workflows. Steinberg’s SpectraLayers Pro 6 runs as a VST3 or AAX plug-in in both MACs and PCs and any DAW that supports ARA 2 (Audio Random Access).
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